News and Scholarship on the Shakespeare Authorship Question

Category History of Ideas

The Authorship Question is a topic in Intellectual History.

1604 and the Shakespeare Fact Pattern

Apparently in responses to Ms. Winkler’s Guardian story about the Francis Meres analysis I published in Critical Survey a chorus of followers has taken it upon themselves to lecture the internet. A leading argument of this internet flashmob concerns de… Continue Reading →

Mistaken Identity: Discovering The Two Cinnas in the Audley End Notes

Shows that one of the most potent passages relevant to the authorship question — namely the murderous confusion of “Cinna the Poet” for “Cinna the Conspirator — by the mob roused to a fury by Mark Antony’s Funeral Oration — is inscribed as an annotation in the Audley End copy of Cassius Dio.

Audley End Annotations Show Handwriting of Edward de Vere, 17th Earl of Oxford

A detailed forensic study, forthcoming in the Journal of Forensic Document Examination, of the annotations of six books at Audley End in Essex shows that that they are not made, as sometimes supposed, by Sir Henry Neville, but by Edward… Continue Reading →

The Moral and Spiritual Vision of Edward de Vere

Part II of Jonathan Jackson’s “Moral and Spiritual Vision of Edward de Vere.”

Forthcoming Article on Audley End Annotations to help Revolutionize Shakespeare Studies

Nearly a year ago the De Vere Society Newsletter published several brief first impressions of the content of the Audley End Annotations, following my April 2022 discussion of the handwriting question for the Shakespeare Authorship Trust. The Authorship Trust lecture… Continue Reading →

James Baldwin on the Authorship Question and the Mystery of the Poet

In James Baldwin’s uncollected works, The Cross of Redemption, falling in between “The Artist’s Struggle for Integrity” and “We Can Change the Country” on one side, and “The Uses of the Blues” on the other, is Baldwin’s “Why I Stopped… Continue Reading →

The Moral and Spiritual Vision of Edward de Vere

Eastern Christianity remains the most poetical and art-affirming of Christian traditions, developing an ethos that is much closer to the spirit of Shakespeare than seen in the western Churches. Was there significant influence from this earlier Christian tradition that helped the poet transcend the most polemical elements of the Catholic-Protestant conflict?

Milestone Research on Francis Meres Forthcoming in Critical Survey

Critical Survey, an established peer-reviewed academic journal edited by Professor Graham Holderness at Hertfordshire University, has accepted for publication a 13,000-word study of Frances Meres’ Palladis Tamia (1598) and its role in the authorship debate. The new article, “Francis Meres… Continue Reading →

SOF Covers New York de Vere Ball

“Edward de Vere gives me hope. And in these trying and uncertain times, humanity’s best path forward is the one in which we’re able to draw inspiration from the greatest poet who ever lived. Just as the Founding Fathers modeled… Continue Reading →

“My Mind to Me a Kingdom Is”: The Earl of Oxford, and the Shakespearean Question, Part I

Posted By Roger Stritmatter on November 29, 2013. Lightly revised 6/2/2022. Clement Mansfield Ingleby (1853): The idea of ‘My Mind to Me a Kingdom Is’ is Shakespeare’s. My Mind to me a kingdom is;……My wealth is health and perfect ease,My… Continue Reading →

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